Mälkki conjured audacious swells of volume, brightly polished details and a colossal grandeur softened by disarming beauty.The Washington Post
Susanna Mälkki is sought-after at the highest level with symphony orchestras and in opera houses worldwide. She appears regularly with top orchestras throughout Europe and North America; Helsinki Philharmonic, where she is Chief Conductor Emeritus and was Chief Conductor from 2016 until 2023, Los Angeles Philharmonic, where she was Principal Guest Conductor from 2017 until 2022, Philadelphia Orchestra, The Cleveland Orchestra, the New York Philharmonic, Chicago Symphony Orchestra, the Boston Symphony, London Symphony Orchestra, the Münchner Philharmoniker, Wiener Symphoniker, Bayerischer Rundfunk and the Berliner Philharmoniker. By invitation of Pierre Boulez, Mälkki was also the Music Director of the Ensemble intercontemporain from 2006-2013.
Equally in demand with major opera houses, past notable appearances include at the Opéra national de Paris, Teatro alla Scala Milan, the Wiener Staatsoper, The Metropolitan Opera, the Gran Teatre del Liceu and The Royal Opera House, London. Operatic titles this season and beyond show Mälkki’s versatility in the artform; Janáček’s The Makropulos Case, Debussy’s Pelléas et Mélisande, Stravinsky’s The Rake’s Progress, Mozart’s Le nozze di Figaro, Beethoven’s Fidelio, Faure’s Penelope and Wagner’s Tristan und Isolde.