L'orchestre est chez Susanna Mälkki cet élément protéiforme qui épouse la personnalité des voix, parfois par le simple jeu d'un changement dans la pulsation.

Sounds were silky and subdued, but not inert. Mälkki captured the sensuous essence of the score without sacrificing momentum.

Avec Susanna Mälkki, dont on a souvent loué l’intelligibilité et l’intelligence des options dans Messiaen, l’entente semble idéale. (...)
D’une remarquable lisibilité, mais sans sécheresse analytique, ni tiédeur. Ce souci de dosage des effets, de transparence dans la restitution de l’architectonique si particulière de l’œuvre, avec ses agrégats thématiques complexes, sa profusion de motifs, cette grande geste unificatrice donnent un éclairage particulier ....

Mälkki, an exceptional advocate for complex new scores, had a tight handle on the orchestral proceedings... she drew playing of terrific energy, taut balances, and bright color from the BSO. The brass and percussion sections, in particular, glowed.

Susanna Mälkki est une « rigoriste » de la partition, dont elle va chercher les moindre nuances, sans jamais prendre les libertés qu’on entend quelquefois chez certains chefs (y compris des légendes comme Toscanini). Par une science des dosages et une grande précision du geste, elle crée une dramaturgie musicale qui clarifie et approfondit la lecture, et qui à l’audition a produit des moments de pure stupéfaction.

Before “The Tempest,” Mälkki led a virtuosic, vibrant performance of Mahler’s Fifth Symphony. She is best known for her advocacy of new music—she conducted Kaija Saariaho’s “L’Amour de Loin” at the Met in 2016—but she has quietly emerged as a formidable interpreter of the Romantic and early-modern repertory.

Susanna Malkki lead a mind-opening performance of Mahler’s Fifth with the Los Angeles Philharmonic.

She seems able to do it all, is what I’m saying, and her gift for molding orchestral sonorities in music by Scriabin and Kaija Saariaho only added a new and unsurprising entry to the ledger of her talents.

The Finnish conductor Susanna Malkki led the New York Philharmonic in a performance of the work that was so urgent, detailed and exciting that I forgot all about cresting sea and splashing waves. I was, instead, engrossed by the way Ms. Malkki brought out the colors, intricacies and radicalism of “La Mer”

What the 48-year-old Mälkki does bring is, first and probably foremost, the ability to create viscerally arresting performances.

Mälkki led an expansive performance of the concerto and Chamayou was in fine control of both its florid and rhetorical material, playing with efficiency and expressiveness.

The absolute integrity of her music-making, her clear, unmannered command, her knack for clarifying the densest orchestral textures, for inspiring players to give something extra, showed in pairings of standard symphonic works by Beethoven and her compatriot Jean Sibelius.

...Friday night’s grand and impassioned performance of the Symphony No. 2 showed once again why Mälkki is among the most exciting and illuminating of CSO podium guests.

...the results were largely successful with Susanna Mälkki, one of the CSO’s most reliable guest conductors, in charge on the podium."

...a badass woman named Susanna Mälkki wielded her suspended baton in a nameless space that she — singularly and securely — owns.

For many music lovers, Mälkki is more than an outstanding conductor. She’s a hero — one of the few women who have managed to break through classical music’s glass ceiling.